My Final Poe Performance


AAAAAHHHHHHH THAT FELT SO GOOD!


My final performance of the poe piece was today, and it felt even more connected, driven, and powerful than the first time. I continually have this experience of thinking that I nailed it or that my performance was perfect straight out of the gates, and that’s a serious failing in my own personality. I continually have to work to make sure that my hubris isn’t getting the better of me, and as an actor that’s significantly difficult, but I feel like it’s healthy to work on.

The improvement that I felt between today and my first performance of this piece was significant. I went into today not feeling entirely sure about the new choices I was making with the scoring; the inflections and punctuation especially felt a bit forced. But as I went over it and started getting into it, I started to connect with the choices I was making, using my breath as conscious support for the emotional link I was discovering. The onomatopoeic words started to bite and sizzle in my mouth so much more, and the impulses for breath created some emotional contrast that I was very happy with.

I’m so happy to have had the opportunity to explore some of Poe’s work just a little bit. Obviously I’ve read pieces of his before, for school assignments and the like, but I had never realized just how much emotional resonance and poetic beauty were contained in his words. I’m a classical actor by training and preference, and I’ve always had a deep love for language and the emotions that can be felt and explored with words, but I now regret my lack of exploration beyond the standard classical playwrights. Shakespeare has always been my primary focus and preferred medium of performance, but with the studies and effort that we have put into these Poe pieces I have started to develop a deep affection for his work and other elevated writers. I think a lot of his emotional depth and connection come from his upbringing, the death of his parents and the conflict he experienced with his adoptive family. It’s always been enthralling for me to think about the fact that the people with the most pain and loss in their past have the greatest potential for artistry and beauty, if they choose to turn their feelings in that direction. I’ve decided that I would much rather live as an actor and dive into the pain, sorrows, and joys of theater as fully as I can, rather than live a bland life and never know what it is to feel that deeply, and I’m grateful for the opportunities I’ve had to experience and experiment with that.

Someday I’ll create my own piece, but that’ll probably not be for quite a while. Until then, I’m dedicating myself to exploring as fully as possible the canon of writing and beautiful word usage that exists in the world, and finding the best of it and making it mine.

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